Andrius Svilys

medium:
graphics
print material
drawing
cg
photo
color
b/w
painting
sculpture
ceramics
other

public:
other
exhibitions
Daiktai SanDėlyje
YOu gota do what you gotta do

studio:
Wip
sketches
progress
studio
misc

combine filters:

yes

no

A female figure facing the setting sun by sea.

A digital mockup of the image printed on paper and dyed with potassium permanganate.

Oil pastel in notebook.

Two painting on one board. Oil pastel (blue), marker, brown oil paint. Found board.

I ask my two friends and coworkers, both named Lorenzo, to act as models in a couple of scenes. Photographed by Rowan Wigley.

A glazed ceramic bowl on a spray painted styrofoam plint by Alex Gengos.

An exhibition I put together with two of my friends (Jacob Bates-Firth and Sophia Freeman), taking personal materials we shared with each other over social networks and sticking them up on walls with tape or displaying them as videos on screens.
<br/>
<a href="https://daraikaturidaryti.tumblr.com/" target="_blank">See more</a>

Furniture door, wax, various paint.

Unfired clay frame covered with paraffin wax and spray painted blue.

Unfired clay frame covered with paraffin wax and spray painted blue.

Stitched dust protection sheet stretched on custom frame, various paints, ballpoint pen, soft pastel.

Initial design involved three recesses:
for flax seeds, for a wax apple and for up to two low denomination coins.

A clay or plaster (cast) foot propped on various furniture handles.

A clay or plaster (cast) foot propped on various furniture handles.

In 2018 I attended a professional training programme. The atmosphere felt oppressive. I made this bench, brought it over to school and chained it around a column. It has two modes: bench and ashtray (made from groin protector). The building security (male) approached me as soon as I entered the building and asked if I had permission chain down the bench. I, aggro-defensively, lied that I had. Later I had to speak to the director of the school (female), to whom I presented the bench as a public benefit and so the bench stayed.

In 2018 I attended a professional training programme. The atmosphere felt oppressive. I made this bench, brought it over to school and chained it around a column. It has two modes: bench and ashtray (made from groin protector). The building security (male) approached me as soon as I entered the building and asked if I had permission chain down the bench. I, aggro-defensively, lied that I had. Later I had to speak to the director of the school (female), to whom I presented the bench as a public benefit and so the bench stayed.

In 2018 I attended a professional training programme. The atmosphere felt oppressive. I made this bench, brought it over to school and chained it around a column. It has two modes: bench and ashtray (made from groin protector). The building security (male) approached me as soon as I entered the building and asked if I had permission chain down the bench. I, aggro-defensively, lied that I had. Later I had to speak to the director of the school (female), to whom I presented the bench as a public benefit and so the bench stayed.

In 2018 I attended a professional training programme. The atmosphere felt oppressive. I made this bench, brought it over to school and chained it around a column. It has two modes: bench and ashtray (made from groin protector). The building security (male) approached me as soon as I entered the building and asked if I had permission chain down the bench. I, aggro-defensively, lied that I had. Later I had to speak to the director of the school (female), to whom I presented the bench as a public benefit and so the bench stayed.

In 2018 I attended a professional training programme. The atmosphere felt oppressive. I made this bench, brought it over to school and chained it around a column. It has two modes: bench and ashtray (made from groin protector). The building security (male) approached me as soon as I entered the building and asked if I had permission chain down the bench. I, aggro-defensively, lied that I had. Later I had to speak to the director of the school (female), to whom I presented the bench as a public benefit and so the bench stayed.

I gave this to Anya, we worked together.

Initial design involved three recesses:
for flax seeds, for a wax apple and for up to two low denomination coins.

Depicts a character creation window commonly seen in role-playing video games.

A Christmas present I made for my brother Darius and his girlfriend Sandra

A Christmas present I made for my brother Darius and his girlfriend Sandra

I gave this to one of Lorenzos I know. Before he moved away he wanted to box with me. It was more exhausting than we expecting so in the end he asked me to just hit his head with my fist.
Rendered on a napkin from a restaurant we both worked at.

A curved aluminum disc I borrowed from Stacey Broadbent that she'd made after being tipped by James. We wrote down the date of our exchange and I sealed that with paraffin wax. Eventually this disc and its duplicate came into my full ownership.

Skull print fabric stretched over found board, white pigment or plaster powder, blue oil pastel

A clay or plaster (cast) foot propped on various furniture handles.

Hammer screw

Charcoal and pencil.

Charcoal and pencil.

Painted on a found, oval shaped board that had fabric stretched over it already, perhaps a table top. Based on an exceptionally sexual enemy design from Half-life 2: Episode 3.

By James Stradner

An enlarged print of this image featured in a self-organized display of posters in a staircase of a social estate in London, UK.

I attended a dinner party and brought a bouquet of cabbage leaves and a banana. I asked the host to photograph it, print it and leave the photograph in my studio as we were course mates. He complied, but on reverse left a note. I asked to cross that out and return once that is done.

By Jonas Lozoraitis

A print on commercial banner, held to a wall with an excess of fixtures.

A portrait of me crawling out of a pond in a park in London, smiling as if cheering on the scenario on the right. Photographed by Elvis Weixian.

Two headless figures spinning in a circle, or greeting, or wrestling surrounded in fog. Scanned woodblock print.

A print on commercial banner, held to a wall with an excess of fixtures.

A print on commercial banner, held to a wall with an excess of fixtures.

Plaster, sand, baby oil.

Plaster, sand, baby oil.

Exhibition and bts shots from an exhibition called Daiktai Sandėlyje.

Exhibition and bts shots from an exhibition called Daiktai Sandėlyje.

Exhibition and bts shots from an exhibition called Daiktai Sandėlyje.

Exhibition and bts shots from an exhibition called Daiktai Sandėlyje.

Two boards, ballpoint pent, highlighter, white paint (gesso?)

A two part contraption devised to hold a mirror on a corner of a wall. Covered in synthetic purple satin and blue felt.

A two part contraption devised to hold a mirror on a corner of a wall. Covered in synthetic purple satin and blue felt.

Roll-pressed steel sheet, spray paint. Low relief.

Person on bridge, maybe fishing or just looking at the fog.

b. 1992, Panevėžys, Lithuania.<br/>
Currently study computer science at Vilnius University.<br/><br/>
<b>Contact:</b><br/>
<a href="mailto:andriussvilys@gmail.com">andriussvilys@gmail.com</a><br>

A still from a video by Rowan Wigley, featuring Rowan and her father collecting sticks.

Pencil over photocopy. Original photograph by Alexandra Blanco.

Brown clouds in brown sky, floating away or hanging heavily in place. When the paint was still wet, I layed some sort of street sign on this board so I could have two of the same painting.

I intended to take pictures of people in crowds, but felt self-conscious pointing my camera at faces so images are out of focus and shaky. Taken on a double decker bus around Oxford Circus in London, UK.

I intended to take pictures of people in crowds, but felt self-conscious pointing my camera at faces so images are out of focus and shaky. Taken on a double decker bus around Oxford Circus in London, UK.

I intended to take pictures of people in crowds, but felt self-conscious pointing my camera at faces so images are out of focus and shaky. Taken on a double decker bus around Oxford Circus in London, UK.

I intended to take pictures of people in crowds, but felt self-conscious pointing my camera at faces so images are out of focus and shaky. Taken on a double decker bus around Oxford Circus in London, UK.

I intended to take pictures of people in crowds, but felt self-conscious pointing my camera at faces so images are out of focus and shaky. Taken on a double decker bus around Oxford Circus in London, UK.

Straw, epoxy resin, stick, audio player, 2 soundtracks by Martynas Svilys and Rowan Wigley.

Straw, epoxy resin, stick, audio player, 2 soundtracks by Martynas Svilys and Rowan Wigley.

A show of posters in a social estate in London, UK. Poster images by Stacey Broadbent, Alex Gengos, Jonas Lozoraitis, James Stradner, Martynas Svilys, Rowan Wigley, and me.

A show of posters in a social estate in London, UK. Poster images by Stacey Broadbent, Alex Gengos, Jonas Lozoraitis, James Stradner, Martynas Svilys, Rowan Wigley, and me.

A show of posters in a social estate in London, UK. Poster images by Stacey Broadbent, Alex Gengos, Jonas Lozoraitis, James Stradner, Martynas Svilys, Rowan Wigley, and me.

A show of posters in a social estate in London, UK. Poster images by Stacey Broadbent, Alex Gengos, Jonas Lozoraitis, James Stradner, Martynas Svilys, Rowan Wigley, and me.

A show of posters in a social estate in London, UK. Poster images by Stacey Broadbent, Alex Gengos, Jonas Lozoraitis, James Stradner, Martynas Svilys, Rowan Wigley, and me.

A show of posters in a social estate in London, UK. Poster images by Stacey Broadbent, Alex Gengos, Jonas Lozoraitis, James Stradner, Martynas Svilys, Rowan Wigley, and me.

I returned to the estate to look at the posters once again, found them stripped off walls leaving white sunfaded rectangles framed with dried dirty mop water.

I returned to the estate to look at the posters once again, found them stripped off walls leaving white sunfaded rectangles framed with dried dirty mop water.

Plasma-cut steel sheet, lard, adhesive bandage.

Plasma-cut steel sheet, lard, adhesive bandage.

Plasma-cut steel sheet, lard, adhesive bandage.

Water based paint (gouache or acrylics) and oil or soft pastel on paper.

On a tip tray

I ask my two friends and coworkers, both named Lorenzo, to act as models in a couple of scenes. Photographed by Rowan Wigley.

I ask my two friends and coworkers, both named Lorenzo, to act as models in a couple of scenes. Photographed by Rowan Wigley.

I ask my two friends and coworkers, both named Lorenzo, to act as models in a couple of scenes. Photographed by Rowan Wigley.

I ask my two friends and coworkers, both named Lorenzo, to act as models in a couple of scenes. Photographed by Rowan Wigley.

Clearing a rocky Thames beach at Surrey Quays, London.

Clearing a rocky Thames beach at Surrey Quays, London.

Digital collages put together for a show Darai ką turi daryti (You gotta do what you gotta do). Ended up not being used in the exhibition.

Digital collages put together for a show Darai ką turi daryti (You gotta do what you gotta do). Ended up not being used in the exhibition.

Digital collages put together for a show Darai ką turi daryti (You gotta do what you gotta do). Ended up not being used in the exhibition.

Found board, utility paint (white), markers, blue oil paint or oil pastel.

Service trays arranged on restaurant furniture.

Service trays arranged on restaurant furniture.

An exhibition I put together with two of my friends (Jacob Bates-Firth and Sophia Freeman), taking personal materials we shared with each other over social networks and sticking them up on walls with tape or displaying them as videos on screens.
<br/>
<a href="https://daraikaturidaryti.tumblr.com/" target="_blank">See more</a>

An exhibition I put together with two of my friends (Jacob Bates-Firth and Sophia Freeman), taking personal materials we shared with each other over social networks and sticking them up on walls with tape or displaying them as videos on screens.
<br/>
<a href="https://daraikaturidaryti.tumblr.com/" target="_blank">See more</a>

An exhibition I put together with two of my friends (Jacob Bates-Firth and Sophia Freeman), taking personal materials we shared with each other over social networks and sticking them up on walls with tape or displaying them as videos on screens.
<br/>
<a href="https://daraikaturidaryti.tumblr.com/" target="_blank">See more</a>

An exhibition I put together with two of my friends (Jacob Bates-Firth and Sophia Freeman), taking personal materials we shared with each other over social networks and sticking them up on walls with tape or displaying them as videos on screens.
<br/>
<a href="https://daraikaturidaryti.tumblr.com/" target="_blank">See more</a>

An exhibition I put together with two of my friends (Jacob Bates-Firth and Sophia Freeman), taking personal materials we shared with each other over social networks and sticking them up on walls with tape or displaying them as videos on screens.
<br/>
<a href="https://daraikaturidaryti.tumblr.com/" target="_blank">See more</a>

Poster to the show.

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